New Orleans Writing Workshop Tuesdays 7-9pm June 18th - August 6th; Online edition starts June 19th
ENROLLMENT UPDATE: There are one or two spots left for the online course and a handful of openings for the New Orleans workshop, which will be a small group.
After bouncing back and forth between teaching fiction and non-fiction workshops for years, it occurred to me it might be useful to bring these two "genres" together into a single workshop. Good essays borrow some of the qualities of great fiction, and the essay's sense of purpose can often be a useful aspect to deepen a short story. To be more blunt about it: some essays make better short stories, and vice versa. Why not explore both possibilities? I did a short version of this course several years ago, and this summer I'm taking advantage of my otherwise free schedule to return to it in an online class (for students who might be on the road part of the summer) and a traditional table workshop in New Orleans. The details and course description follow:
Narrative Truth:
Whether working in fiction or nonfiction, the challenge all writers face is in creating narratives that ring true to the reader. This workshop will allow students to dip into both genres--short story and creative non-fiction--and measure their work against the same literary standards: character, conflict, detail and use of language. Each student will be able to workshop at least two full-length stories or essays during the course. In addition, students will be given short, focused, weekly assignments designed to break them out of their comfort zone. 8 sessions, $275.
An online version of the course will be offered for $200 beginning June 19th.
Ken Foster is the author of a memoir, The Dogs Who Found Me; a collection of stories, The Kind I'm Likely to Get; and a collection of essays, Dogs I Have Met. His work has appeared in numerous publications including Salon, Fence, Bomb, McSweeney's, The Believer, The New York Times, Bark, The San Francisco Chronicle and elsewhere. He is the recipient of fellowships from the Louisiana Division of the Arts, Yaddo, the New York Foundation of the Arts, and The Sewanee Writers Conference. His most recent book, I'm a Good Dog, was selected as one of the year's best by Vanity Fair Magazine.
To apply to the class, send an email and writing sample, with a list previous workshop experience, to ken@kenfosterbooks.com.
After bouncing back and forth between teaching fiction and non-fiction workshops for years, it occurred to me it might be useful to bring these two "genres" together into a single workshop. Good essays borrow some of the qualities of great fiction, and the essay's sense of purpose can often be a useful aspect to deepen a short story. To be more blunt about it: some essays make better short stories, and vice versa. Why not explore both possibilities? I did a short version of this course several years ago, and this summer I'm taking advantage of my otherwise free schedule to return to it in an online class (for students who might be on the road part of the summer) and a traditional table workshop in New Orleans. The details and course description follow:
Narrative Truth:
Whether working in fiction or nonfiction, the challenge all writers face is in creating narratives that ring true to the reader. This workshop will allow students to dip into both genres--short story and creative non-fiction--and measure their work against the same literary standards: character, conflict, detail and use of language. Each student will be able to workshop at least two full-length stories or essays during the course. In addition, students will be given short, focused, weekly assignments designed to break them out of their comfort zone. 8 sessions, $275.
An online version of the course will be offered for $200 beginning June 19th.
Ken Foster is the author of a memoir, The Dogs Who Found Me; a collection of stories, The Kind I'm Likely to Get; and a collection of essays, Dogs I Have Met. His work has appeared in numerous publications including Salon, Fence, Bomb, McSweeney's, The Believer, The New York Times, Bark, The San Francisco Chronicle and elsewhere. He is the recipient of fellowships from the Louisiana Division of the Arts, Yaddo, the New York Foundation of the Arts, and The Sewanee Writers Conference. His most recent book, I'm a Good Dog, was selected as one of the year's best by Vanity Fair Magazine.
To apply to the class, send an email and writing sample, with a list previous workshop experience, to ken@kenfosterbooks.com.
Comments
Since you are concerned with research, you should probably have read my book before asking some of these questions, since you'd find the answers there. But you're too lazy, or just unconcerned with the truth.
I'm not sure what "doctors" you refer to, since the AVMA is actually against breed specific legislation. And that is something you would also know, if you bothered to read.
Best of luck to you. I'd suggest that you do some actual research on the subject, rather than quoting from sources who have strong public records of antisocial behavior paired with a disregard for facts.
You still want to criticize me without reading anything I've actually said--a behavior quite similar to what is described as pathological altruism. Let's face it, you aren't actually concerned with be a service to anyone, or keeping anyone safe. You just want attention.
I look forward to your book, which I'm sure you will publish anonymously as well. But I'm equally sure that your nuttiness would never get past the legal department of any major publisher. Why has mine? And why have you hijacked a post that has nothing to do with dogs? Because you aren't rational.